Cleonice and Arfetes in Bithynian Intrigue Victory
A 18th century stage tragedy unfolds in Bithynia with Arfetes disguises, political plots, and a clash between Pharnaces and Orontes. Cleonice laments love and loyalty as Arfetes' fate drives a sequence of private conspiracies, battles, and a funeral march. Ultimately Arfetes and Pharnaces are revealed as the same, leading to Orontes’ repentance and the play’s end with royal vengeance and reconciliation.
MENTIONED IN THIS ARTICLE
Artabalus
Pontus
Barry
Pharnaces
R. Lewis
Lycomiedes
Bithynia
Benfley
Terimenes
Hullneral
Agenor
Whitfield
Orontes
Lee
Sceng
Palace
Serimenes
Afenor
Arfetes
Térimenes
Zopyrus
Arfeces
Cleonice
Arsince
Aretes
Arfince
Terimetes
Arsinoe
Lycomedes
Artabafus
Cleontee
Scane
Verimengs
Jgt
Oyontes
Crontes
Mars
Polemon
Autabalus
Craterus
Zopyras
Creonice
Araxes
Pelemon
Mr. Hoole
Cyrus
Timanthes
Metastasie
Thomas Vallauan
Mr. Bensley
Roscius
Thalia
Beauty
Dian
Carsan
Candour Trials the Cause of Dramatic Laws Magna Charta
Poetic fragment discusses accountability for stage policy and the defining rules of dramatic practice. It contemplates whether candor will elevate or ruin a performer's prospects, invoking a charter-like standard for theatrical law and artistry.
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