Wireless Australia and the Great Organisation
Wireless Australia built upon the division of AM wireless and ship communications. The group led by managing director BE Mick advanced broadcasts through new stations at Avantratin and New Cuthea, signaling a push to popularize wireless across Australia. Public demonstrations occurred in August 1920 at the Royal Society Sydney, with a broad concert in October at Melbourne’s Parliament House drawing large crowds.
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AWA
Utherwine Amwitiunmited
Wipelesa
Australesha
Oner
Coneen
Mercantily Marine Gre Cilpyedt Cine
Bette
Vie Planer Te Aumiratia
BE. OT. Mlyk
AUW
Gineera
BT. Fisk
Rtoyal Bociety
Sydney
Mick
Queen's Mall
Federal Darlament House
Melbourne
Paris Interlude as Woman Police Missile Stalls Traffic
At Porte Pouchet a woman posing as a police officer caused traffic jams in Sauluit street. Dressed in an elegant coat and holding a baton, she claimed to be a new women police constable and announced a traffic regulation plan. She identified as Aline Cuillon, 40, saying newspapers inspired her to apply for the role.
MENTIONED IN THIS ARTICLE
Porte Pouchet
Faria
Clichy
Marts
Sauluit Street
Bey
Hetchhouring
Aline Cuillon
Moses
Paris
Department of the Seine
Australian Wireless Pioneers Expand Global Broadcast Reach
In a 1923 development, the Broadcasting Station of Farner and Company opens as part of Australia’s push to rival major stations abroad. A.W.A engineers travel to England Europe and America to study large broadcasting operations and enhance Australian stations. The text notes high regard for A.W.A designs and radio receivers, including eight valve models, and highlights the Transcontinental Wirelines Telegrafa traffic regulation work.
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Farner and Company
A.W.A
Whr
Melbourne
Brishane
Adelaide
Perth
AWWA
A.W
England
Europe
America
Teleggra
Australiia
A.W. A
Foren Wirelesa Onpineore
Artistry and music lift motion pictures to refined art
The article argues that cinema has grown beyond simple spectacle to a major cultural industry. It highlights advances in production and exhibition, with music shaping mood and audience response. The piece notes American predominance, German censorship debates, and the rise of artistic presentation in theaters driven by public demand.
Growth of Musical Appreciation in Picture Theatres
The article argues that luxury music access remains limited to a few, but cinema venues broaden appreciation. It notes gramophones and wireless nets fail to reach all homes, while picture theatres in Auckland and Christchurch showcase Maurie Gutteidge’s orchestra and Ernest Jameson’s orchestra. It asserts music in film appeals beyond the cultured few, with public orchestras growing in Auckland. It warns that uninitiated audiences may not grasp Shaw but still enjoy performances, and that classical music can be appreciated with some education.
MENTIONED IN THIS ARTICLE
America
Germany
Jong Agito
Ion Moale
Anata
Theatres Orchestra
Memoral Police
Iai
Ritiabe
Lin
Aucilamd
New Zealand
New Onland
Maurice Gutteidge
Ernest Jameson
Christchurch
John Whiteford Waugh
Auckland
Picture Theatre
Bevertheleas
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