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This newspaper page contains 10 articles. Subscribers can read the full text of each article.
Newspaper
Canberra Times
Location
Canberra, Australian Capital Territory, Australia
Date
Nov 01, 1929
Page
6
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A fragmented report describes a music and drama event with mentions of Wendie Wein ceN amitioung har romut rane and HHMI. It references performers, stages, and audience reactions, noting various names and places in a period tone.
A fragmented report discusses Paul Robeson in the role of Othello with mentions of casting and production partners. It references theater groups, venues, and travel, noting international reach and critical attention while outlining some contemporary responses and logistical details.
An Irish or Australian sounding revue arrives in London with mixed reception as performers face long delays and high hopes. The show features novelty acts and several familiar names as critics ponder crowd reaction to the new piece.
The fragment outlines Me Wyman Hesity and American and Australian theatre figures, noting a Broadway band, a planned United Minne play, and the October opening of The Theater ta ta don wae. It mentions Marie Moentren and productions like The Grint and The Vowitey Girk, with price trends and expectations for Mr Cinders and other shows.
A London theatre round up notes two standout revivals and a raft of shorter runs. It cites Coward’s works and actors like Colin Clive and Miss van Fantunney among prominent performances, while criticizing several productions for brief runs and poor returns.
A stage production of The Jew Suss in England draws sharp notices for its portrayal of power and tragedy. Critics highlight the character tensions and the framing of authority amid the riotous, dramatic scenes featuring prominent actors and listed notables in the cast.
A disrupted transcription presents Bernard Shaw style satire with garbled lines on politics and society. The piece references voting, ministers, cabinets, and a skewed view of American politics, implying critique of power and public life through fragmented dialogue and stray phrases.
A fragment notes a cost related to borrowing and production involving a producer and an American setup at an unspecified venue. It mentions a comedy version of The Broken Wing and a Duke of York venue continues the scene. Names and exact roles are unclear, with disrupted OCR producing tangled phrases.
A fragmentary account hints at a film actress involved in a troubling public ordeal. Sparse readable phrases reference water, a caldron linked ritual, and a tense moment near a street, framing a dramatic scene without clear names or dates.
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