Sculthorpe Festival Promotes Australian Sound Reform
A 1968 festival moves toward contemporary Australian music with Sculthorpe works highlighted by percussion and gamelan influences. The concert features Pam Page and Max Olding commissions, alongside Linford and Linsky pieces, contrasting electronic scores with traditional instruments.
MENTIONED IN THIS ARTICLE
Max Olding
Society For Contemporary Music
Fider Hall
Linfor
Hunaiely
Sculthorpe
Mal
Pian
Tso
Melbourne
Bruce Clarke
Joe
Rere
Astra
Clemens Leche
Rater
Brmientcon
Patrick
Thomas
Arthur Aid
Berg
Musta
Rovil
Morals in dinner time shows and the Donna Reed era
TV critic Peter Batty discusses moral tones in American dinner time shows. He notes that even light comedies and dramatic timeshares reveal a family friendly format while recent hosts and formats shift, questioning whether changing content harms traditional values and viewers. He mentions The Pan... Reed, and references late night commentary on evolving entertainment and political undertones.
MENTIONED IN THIS ARTICLE
Donna Reed
Ailaw Maya Law Wight
Pshar
Henry
Nowe Aml
Poly
Inge Sand
Indefinable ingredients in abstract art critique
A critique discusses flexibility and medium in abstract works, noting how artists withdraw by focusing on materials. It references an exhibit catalog describing canvas textures, color use, and non-objective tendencies, including a piece titled Celestial Landscape and its brushwork emphasis.
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John Buhop
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Lary Linsky
Pamela Page
Arts Council of Australia A.C
Robert Rozhdestvensky
Canberra
Tislatsom
Imi Warioy
Larke Hoskins
Mort Street
Braddon
Canberra Chatal Society
Hira Hotant
ST John
HS. Fach
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Rusmond Steinaald
Norma Carte Maree Ryan Peter Sever Niraham Russell
Geoffrey Brenan
Albert Mall
David Jones
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New Look
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Troilus & Cressida
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America
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England
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David Jenes
Wits
United States
University OF California Chamber Singers
Larleen
Emner
University of California
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the Pirates
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the Arts Council of Australia Act
Division
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Civic Theatre
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