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This newspaper page contains 8 articles. Subscribers can read the full text of each article.
Newspaper
Canberra Times
Location
Canberra, Australian Capital Territory, Australia
Date
Jul 16, 1968
Page
6
Leisure reviewer praises Ape Marks as a top stage entertainer. The article lauds his versatile performance at the Mage venue with Raymond Tong, noting continuous humor, varied routines, quick sketches, and memorable impressions such as his Charles de Gaulle bit.
A vivid review praises flawless vocal and physical control in a show blending Cockney and Midlands accents with Russian and Japanese songs. The piece implies a daring, futuristic fantasy Britain where humor and sexuality are central, noting superb technique and stage presence.
Review praises the agreeable comedy with light dialogue and witty timing. Highlights Lester’s direction and subtle humor, noting the film’s mood lifts easily and delivers laughs despite modest originality.
Bo Kalivoda presents his first solo exhibition at Nundah Galleries opening July 25 and running to August 4 featuring thirty paintings. He aims to reveal a contemporary image in traditional landscapes, drawing on Garros periods and his Czech background with past shows in Canberra Sydney and Frankston.
A review of the production inside the Hive theatre highlights its proven Broadway appeal and strong cast. It praises the integrated music by Stephen Sondheim, the ensemble led by Mantel and Crawford, and the light, comic plot with mistaken identities. The piece notes performances by Phil Silvers and Buster Keaton, with Michael Hordern and Annette Andre in key roles, delivering lively visual humor and suspense.
A dense, fragmented TV and radio timetable shows program blocks for schools lessons, children’s shows, cartoons, news, weather, and entertainment across afternoon and evening slots. Notable items include mathematics and science broadcasts for various forms, classic films like Naked Alibi, cartoons such as Mickey Mouse Club, and a Frontiers of Space documentary, with channel-by-channel times and program names.
Century Hitchcock professor A K Rasham presents a Tamilation of The Little Clay Cart from Sanskrit. The article reviews the ancient Sanskrit theatre’s conventions, stage practices, audience access, language, and moral themes, noting adaptations for modern staging and a long, dramatic performance.
A dense, fragmentary radio schedule lists noon to late afternoon programs across music news weather and local segments. It mentions Sue Bray, learning English, country hour, regional news, music blocks, and various show titles with scattered times and station tags.
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