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This newspaper page contains 7 articles. Subscribers can read the full text of each article.
Newspaper
Canberra Times
Location
Canberra, Australian Capital Territory, Australia
Date
Jul 05, 1969
Page
8
A music note reviews Wilson Pickett and Otis Redding style, noting Atlantic inports, stereo SR8175 and a price of 575. The piece highlights timing and groove in the Negra rhythm and blocs, with a concise critical tone.
A detailed critique of Wilson Pickett’s latest album notes unusually high inhibition in vocal delivery. The reviewer blames the backing horns for dragging the performances down and singles out the weak rhythm section. Despite flaws, the piece recognizes several strong tracks, including Don’t miss a vivid take on Hey Jude and a lively Dancing in the Streets vibe from Martha Reeves and the Vandellas.
The new production Oly Catenta opens in New York on September 9 with front row seats at 25 dollars. This will be the peak price for any show in or out of Broadway. Secondary listings show resale prices sometimes reaching 50 dollars, reflecting strong demand and speculative postings.
A Canberra list shows a top 20 hit parade with entries including The Ballad of Ighn and Yor Old Brown Side The Beatles lead with Get Back Dont Let Me Down Aquarius Let the Sun Shine in The Fifth Dimension Love Me Tonight Night Tom Jones Sentimental Friend Herman Guitarzan Ray Stevens and The Real Thing Russell Morris among others.
Canberra Theatre Centre listings show a mix of theatre plays, chamber music, ABC recitals, film screenings, and concerts across July at the Canberran venues P G N T. Highlights include Lucia Popp's ABC recital on July 22 and Soldiers by Melbourne Theatre Company July 28.
Fragmented note discusses Marvyn Gaye Tamla and Dianna Ross style without clear facts. Mentions female singers in a stable and speculation about Miss Ross taking time from the Supremes for other work.
A fragmentary arts column notes strong vocal tones amid calls for a Harlem style tenor influence. It suggests the performer channels Marvin Gaye and other idols to push into higher ranges, praising the voice’s bold highs while acknowledging unclear broader points about the album.
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