Pacesetters Exhibit Showcases Three Young Australian Painters
An exhibition at Manuka Galleries features David Metnes, Jennifer Marshall, and Graham Blondel from July 12 to 24. The trio, linked to the Young Contemporaries circuit, gains early recognition with Metnes winning the 1989 Pacesetter Award and Marshall and Blondel noted for runner up and prior gallery participation. A preview by Holy 2 precedes the July opening.
MENTIONED IN THIS ARTICLE
Manuka Cialleries
David Metnnes
Jennifer Marshall
Graham Blondel
Wale
Ian
David Melnnes
Raduate
National
Swaney
Paceseller
Tig
South Australian School of
Squizzy on Film at ANU in Underground Australian Reel
Dougal Macdonald reviews Squizzy and two recent Australian films screening at the H C Gon Theatre ANU by the Fin Group Tonight 8 and 10 pm The pieces critique Australian cinema and portray complex motives through documentary and fiction blending humor horror and history The piece highlights Squizzy Taylor’s life through Nigel Buessits documentary style and notes the underground feel and low budget authenticity of Australian filmmaking.
MENTIONED IN THIS ARTICLE
H.C. Gon Theatre
Anu
Fin Group
Tomorow
Coombe
David Miner
Crasford Productions
Squiezy Taylor
Nigeles
Baby
Altaey
Wilothwou
Shaisha
Nigel
Buesit
Buesst
Rijoest
Taylor
Exhibition of pottery opens at Nundah Gallery
An exhibition of stoneware by four Mittagong potters Anthony Burgess Will Te opened at the Nundah Gallery O’Connor on Sunday. Functional pottery aims to produce sound useful pots rather than decorative pieces in the hope there will always be a response to handmade craftsmanship.
MENTIONED IN THIS ARTICLE
Mittagong Power
Anthony Burgess
Nundah
O’connor
Mittigong
Taerawonga Pottery
Hin
Whiarinn
The Merchant of Venice Theatre Review Echoes
An OCR damaged review praises a production titled The Merchant of Venice with a vivid set and Carnivalesque costumes. It notes a modern immediacy in the staging and the gilded Venice fashion while mentioning cast and design details in a period voice.
MENTIONED IN THIS ARTICLE
Yeonice
Belmont
Venice
Shylock on the stage in a stark Shakespearean critique
A Arts column laments a production of The Merchant of Venice, praising some actors while denouncing others. The critic notes Shylock’s disturbing ideation and questions whether the director overemphasized antisemitic elements, while praising moments of grace and restraint in the performances. The piece reads as a nuanced, period tone reflection on staging and interpretation.
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