Kennedy Portrait a President by Hugh Sidey review
A look at Hugh Sidey’s Kennedy portrait notes Kennedy’s magnetic personality and pivotal moments of the three Kennedy years. It cites intimate family glimpses and argues the book chronicles his presidency amid international crises and evolving leadership.
MENTIONED IN THIS ARTICLE
John F. Kennedy
Hugh Sidey
Andre Deutsch Ltd
London
Kennedy
Hugh
Shyas
Istekian Kennedy
Coiniente
Kenneile
Ynieredihie
Kemmedy
Dave
S. Marines
Ant Sides
Phn
Piip
Sith Yudinayy
Iyuigtee
Nyntgen
Rennes
Malchee Hainer
Jaghie
Debating Population and Progress in M Joseph M. Fabre Essay
A fragmented review discusses population issues and social ethics, citing M. Fabre as a French sociologist. It contrasts views on development, education, and the role of medical progress in underdeveloped nations. The piece questions how civilization should progress and what observers deem essential for humane growth.
MENTIONED IN THIS ARTICLE
Atin
Austra
Uncomfortable autobiographer examines Getty life and wealth
A fragmented critique traces Paul Getty’s rise as a billionaire to Fortune’s 1957 label. It notes his business empire, two high profile marriages, and distant personal life. The piece questions motives behind his wealth and the public perception shaped by his earnings and public actions.
Australian poets publish an attractively uneven Ogdoad
A Victorian poetry feature reviews an eight-poem collection titled Eight by Eight, with contributions from Vincemt Huckley Collinson Craig Noel Macainsh Davi Marini A. Simpson and Chris Wallace Cranne. The piece contrasts each poet’s voice, notes Craig and Marini as notable, and reflects on the book’s place in Australian verse today.
MENTIONED IN THIS ARTICLE
Vincemt Huckley
Vence Collinson
Afevander Craig Noel Macainsh
Davi Marini
A. Simpson
Chris Wallace
Cranne
Wicinein
Ani
Eich Guyniers
Sykes
Ares
Gene
Shermasim
FeLagniges
Petratchan
Nims
Madern Pewhre
Piel
Martin
Alexander Craig
Craig
Sean Mo Solem
Valery
Cimitlere Marin
Brecht’s shift from revolt to acceptance in epic theatre
A dense, early modern critique examines Bertolt Brecht’s theory of epic theatre, noting his shift from radical revolt to pragmatic acceptance. The piece traces his methods, quotes, and evolving stance on audience response, Marxist ideas, and the balance between emotion and reason in performance.
MENTIONED IN THIS ARTICLE
Hutt
Brecht
John Willetts
Germany
Aial
Mie HS
George
Bernard Shaw
Shaw
Abe
Wien
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Prundens Keine
Seth Theevik
Gonnidesahle
Aires
Amrit
Joie
John Kennnedy
America
Joan Douglas Pringle
Alfred Pabre Luce
Hutchinson
M. Fabre
Shilietios
Senate
Arerie
Devel
Elvas
Tye
Peter Muse
Raoul
Boyle
Getty
Pur Cartonist
Peter Luck
Fortune Magazine
Paul Getty
Ebery
Mars
Cretiy
Auuhigrands
Atic
Hs Space
Aircraf Execuive
Mney
J. Paul
Fortun Getty Allen and Unwin
Lond
Anil
Seomder
Winnyn
By Dougal MacDonald
Aimee
Biel
Emmieng
Ahich
Suiperh
Frisinessman
Philomiphy
Ceeda
Emanliyees
Cistimers
Pendlers Ul
Gotty
Lorde
Dineen
Farresia
Pete Simat
Frighah Granity
Bento
By A. D. Hope
Jacaranda Press
Brisbane
THE
Living Sky
Angus and Robertson
Sydney
Huickley
Colisort
Sybil
Piri
Panther
Maniina
Maurice Dunlevy
Berlull
Althouiah
Vicent
Peru
Ak Szeshiwan
Bret Qinetties
Bash
Wells
Toroughly
Othier
Rosen and
Siind
Mwundinning
Bertolt Brecht
Nan Huston
Garema
Canberra
Angus and Robertson Ltd
Eleanor Spence
Joan Philson
Barkers
Nan Chauncy
Colin Phiele
Storm Boy
Caral Odell
Irene Gough
Nolen Young
Kingston
Green Square
Monaro Mell
Ainslie Avenue
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