Alonso's Sea Tale Anchors Shoreline Page
Fragmentary notes describe Alonso as a centerpiece of a seaside narrative. References to Aleme and a shepherds motif hint at parallel tales, with mentions of sickmane and ems in a distant, interwoven story.
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This newspaper page contains 10 articles. Subscribers can read the full text of each article.
Newspaper
Cairns Post
Location
Cairns, Queensland, Australia
Date
Mar 14, 1931
Page
3
Fragmentary notes describe Alonso as a centerpiece of a seaside narrative. References to Aleme and a shepherds motif hint at parallel tales, with mentions of sickmane and ems in a distant, interwoven story.
A fragmentary verse passage evokes a moonlit rose, a fading crimson ball, and a calm, level oar-like hosting hall. The lines blend maritime and celestial imagery with a somber tone. No clear people, places, or events are identifiable in the excerpt.
The article surveys the life and work of Zardarian, praising his revival of Armenian prose and folk tales. It notes his exile, editorship, and return to publish stories like The Seven Singers, highlighting his role in shaping national letters and preserving ancient tales with refined craft.
Fragmentary verse shows a motherly figure and a fledgling in a calm scene. Ben is mentioned seeking wind and a peaceful place as a pledge to service and steadfast love. The text reads like a reflective poetic meditation on care and growth.
Fragmentary OCR reconstructs a discussion of temple song and instruments in ancient Israel. It mentions choirs, singers, harps, trumpets, and organ-like sounds, with references to temple worship, the harvest, and ritual music as integral to communal life.
A reflective piece traces how readers and biographers chase the living essence of writers. It recalls Emerson, Carlyle, Wordsworth, and Coleridge, noting how intimate meetings and long correspondence shape perception. The narrative emphasizes discovering the man behind the writing, the shy, reticent genius who speaks most through influence and example.
A fragmentary travelogue about Lyme Bay and nearby coastlines near Dorset. It references Tennyson's visits and the landscape around Lyme, a fortified, natural fortress area, with mentions of the Creil War, guidebooks, and the rural scenery. The piece hints at historic towns, inlets, and the enduring allure of the coastline.
Fragmented observations describe Thebes ancient splendor with frescoes and grand walls. The writer contrasts past grandeur with present beauty, noting carvings, ceilings, and gardens as evidence of wealth, while mentioning Valley of the Kings and excavations revealing faded workshops and remains.
Mary Webb voices eerie imagery in a poem about the terrible loveliness of owls and a perilous night. The speaker recalls distant sounds, predatory howls, and a small bird echoing fear as a somber mood settles over chimney stacks and nests.
A garbled reminiscence evokes birds in a sky speckled with light. Names and clear events blur as a stream of impressions shifts between music, chatter, and a sense of distant, festive joy.
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