icofishe:i t iis(»v rdofi isrer*sIN Tmm mwmi — —v fur the11 i I».•elmr-**rhep n ss* rig itenist P —dsfereb-hein-v,re.athPhusngI'eter Smith, in charge ortrade and newspaper public!Famous i ‘layers- Lasky corpor; who may be more widely r'-i^yrivi!as Pole Sru.ifh, the 1 \tramount■ Art-craft fountain of fact tn.d (let wasmarried on Saturday of hu t w u • \ t Miss Margaret Oanss, the d mghu r •!’Mr and Mrs. John Lewis (Lmss Thubride and Krooni left fur a week orso in the Smith, and will live it ’idsHarrison avenue, University H e i gus, w hen they return.!The division of films of the committee on public information anti at th termiiof the activity of the division will not affect the bookings of the government war features now be mg distributed bythe World Film corporation.Correspondence from France gives enthusiastic assurance that American soldiers are flocking by the thousand to see ‘ Smiles,” which is the general name for the miles of aim picturing places and people in America sent abroad to be distributed by the Community Motion Ficture bureau through the Y M. i A. “Fmih s ’ is called a collection of “home town views” showing “the familiar streets and the familiar landmarks and the familiar■NBPian* mm* n •f O'es “ w p*vj jLi .u* ?' i i»» ' 14 * i * lt;.*, !e. su \ inKansas th!'.!‘A. | .a osiVm \ . % A \ v.L (UNFrance.* ’S sentto4kthe mihta* ipi?♦ # |17 it r imade upiif^ \. it n 4js» i » J » vv » ,• 1; 1d theylt; e *.' thesi g} \ 9 f Iv 'I i v *7* , fc: ,v k noa o pI s S b o y: e racesofme m be csofthr; r o w j ifamilies.A n•itu St) fN ew YOf k,'attie andl » L-^ S*1 i I1 i ) nidi lt;i ir i i * » i t \“ v%Hugo HU if eld will institute a“Chaplin revival at the Kialtotheater. hi N \\ York, with **AN ight at ■ . r aproductions which have csm »-1 shed tin. mst-’ves o their ruulity wU be revived. VH: ol the reissues being rx 1 i e 1 • ’ mier the general head“Kialto Comedy Classics.”Conoernmg ins venture, Dr. Uiesen-fcid writes.“We are conducting: what I outsider a must interesting experiment in u -half of the art of the motion picture. We are end waring to »lt monerato the perm .runt value of good pictures. No one questions the permanent and lasting value of good music, good books, good, painting. But the young art of the motion picture has not yet sufficiently asserted itself sti’l we have some pictures good enough and old enough to warrant their representation under metropolitan auspicesas old masters or rruc classics of th* screen ’*