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vinnu (• vgicvaiuiia i ii.'yricia,and sages, the angels oj the ages) to rhe straight out twelve bar blues Wood/and rock, tut Botan boogie. He went electric, but his music did not develop. His recent song The Groover is n rehash of The Jeeps ter, the melody is almost the same. There was nothing left in the traditions of western society, yet the criucyied people were placed with this tradition on their heads. This confusion of Mark Bolanand the Beatles could not be solved by changing the artists’ perception of reality reality moulded the artist and not vice* versa This was proved by the resulting confusion. LSD did not produce musical stability.At ilie same lime, live working class continued to express itself with much the Same form as previously (.Slade, Suzie Ouai.ro). $u/.ie Qualm's 48 Crash, is fantastic screaming from beginning to end. It is similar to little Richard, except for the voice.Rock is the new mass culture of the working class. It is Wild, screaming, and sexual. It is in complete contrast to traditional westei n concepts. As shown by the evolution of Mark Kokin and the Beatles, bourgeois culture has nowhere to go It is the culture of western civilisation, which itself has reached an impasse. The Beatles' music before 1965 was absolutely different from anything they wrote during 1965 or later.Working class Rock stands out as a musical entity. The other type of Rock, bourgeois Rock, is at the end of the trail.
Newspaper Details
Kensington Tharunka
Kensington, New South Wales, AU
Wed, Oct 23, 1974
Page 14
Full Page
Clipped by
Clifford M.
CZ 28 May 2024
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Kensington Tharunka
