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cnoru progressions tuniropngis, seers, am/ vj; the angels oj the ages) in ih: srtaighi out twelve hai blues Woodland rock, 011 Bolan boogie. He went electric, but his music, diil not develop. His recent song The Groover is n rehash of The Jeepsier, the melody is almost the same. There was nothing left in the traditions of western society, yet the educated people were placed with (his tradition on their heads. This confusion of Mark Bolan and the Bealles could not be solved by changing the artists’ perception of reality reality moulded the artist and not vice-versa Tills was proved by the resulting confusion. LSD did not produce musical stability.At lt;lie sunte lime, I he working class continued to express itself with much the .Same form as previously (Slade, Su^ie Quai.ro). Sn/jg Q ua In.’s 48 Crash, is fantastic screaming horn beginning to end. ft is similar to Little Richard, excepi for the voice.Rock is the new mass culture of the working class. It is wild, screaming, and sexual. If is in complete contrast to traditional western concepts. As shown by the evolution of Mark Bolan and the Beatles, bourgeois culture has mnvhere to go li is I lie culture of western civilisation, which i I self has reached an impasse. The Beaties' music before 1965 was absolutely different from anything they wrote during 1965 m later.Working class Rock stands out as a musical entity. The other type of Rock, bourgeois Rock, is at the end of the trail, at the end of the traditions of western society.
Newspaper Details
Kensington Tharunka
Kensington, New South Wales, AU
Wed, Oct 23, 1974
Page 14
Full Page
Clipped by
Clifford M.
CZ 28 May 2024
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Kensington Tharunka
