PULTON’S ORRERVVol. II.its soc-rontainsand its second*qual toid taste.’ again. 10 go to “ Light e latest I Wash-to poor ing but one, but ip. The roos be-AnotherThis beautiful representation of the planetary system, now exhibiting in Old Bond-street, isdistinguished by several improvements on those we have before seen. It gives the diurnal motion of Jupiter and Saturn, shows the inclination of Ceres and Pallas, which is about 34 degrees, considerably more than that of the earth, and, what was never even thought of, explains why Saturn's ring appears round, then oval, andsometimes disappears. Mr. Fultou's explanations are lucid and interesting, and we cau recommendto our scientific readers an early visit.DIURA.UA, REGENTS PARK.1944Theit- and as s of the norale of i proper i honest,ery Heed by a \ papers, servativeAmongcontains,4 Words-leserving he poeti-ipon the nsions ofh’s noble minating. be found r vivacity by an ink. to he from the may beif.the last at Mess” intended ild never le can get eigle into ge is as jiitly and House in porters of ig down. We havea “ Libe-44 liberal ” Reform,We, yesterday, attended the private view of two new pictures about to be exhibited to the public on Monday next. One is “The in*e:orof the Church of Santa Croce,” at Florence ;the other, the “Carapo Vaccino,” »t Rome. The first is quite the pride of the Florentines. They show to strangers the tombs of Michael Angelo, Alfieri, Machiavelli, and Galileo, mighty names, and able to confer immortality on any building which contains their ashes. The tomb nearest to the spectator is that of Michael Angelo. Alfieri’s tomb was erected to his memory by the Couutess of Albasug, at an expense of 4,600f.. Galileo’s monument is on the left, supported by statues of Geometry and Astronomy. This view exhibits some extraordinary effects of light aud shade. The full blaze of day is gradually seen mellowed down to the shades of evening—and is finally lost in midnight darkness. The church is then lit up with chandeliers and candelabras—and the effect is really magical. The chairs which before were empty are now filled with persons attending la A leeit de Minuti. Thetapers on the Maltre Axttel are burning brightly.The monuments on the right of the spectators are clearly seen in the strong glare. Presently all this fades away, ar.d the grey light of morning is seen struggling through the stained windows. A procession of monks with tapers, passing in the distance, gives a momentary light and life to the scene. These effects are very wonderful, when it is considered that all is on a Oat surface.The other view is taken from the base of theTemple of Concord, at the foot of the Capitol. The “ Campo Vaccino” is in fact the Roman forum. This view comprehends so rnnuy classical objects that our space would fail ns in enumerating only parts. Among them are theArch of Titus, the Palace of the Casars, the Colosseum, the Temple of Jupiter Tonans, the Arch of Severus, the Column of Phocas, and ttie Coinitium. Both views are from the pencil of M. Booton, and rank high as productions of art.The : the Da Georgeand Ms Dinner St. Jam After state-re save ih sang thwords; with MMr.BurghFilipo’sieur SfautasiHerSmartTheHombSo- hi.tie IV1their ?The past fiof liglTheLeicbyestera smaThe dinnei Anion Uoyalbis oEarl Jerse’ Burg!The were Am ing-rc doodi TinQuenLansi His I Thlt;dinni accor formt theirThcoosi versi wereYorkthe Vise JohnGratGtterviTreaNEWEST LONDON FASHIONS FOR JUNE.the iiT I**I/ITSiktInat ] pile cess curr foulbuilcau:1n\ (X