• • « •/ mThe final «f the Tailor.Tin* noil) of tli« craWmian crni ei-pron* itself more fully and clearly Intailoring than In any other trade. Ifth#* tailor's thoughts are poetic, he ran ,«*tie pastorals Iri colors that nre . i hm'mlngly suggestive of hillside nr meadow, foliage or waving grain. lie 1 an make his overcoats spenK of bleak Iu comber, Iiih dress suits of frallo andfestivities, Ids frock conts lt;»f dignity jand wealth, his cutaways of self content anil his sacks of Htrenuousness, and he ran make his waistcoats Jingle dkc limericks, his trousers sing of sun--hlno or of rnln and mud. his spring suits chortle of hope and Joy mid his Mimincr suits prattie of Mowers. If heis an artist, he can make overcoat, tin dercoaf, waistcoat or trousers seem a sensuous Ini. e, a reverie in color, n riot of action or a vigorous portrnyal j ».f onntlleting emotions in a decimated | field of desolation, and If he Is n mu-so lan he can Impart to his sartorial creations an expression that suggests the bleating of n lamb, the dashing of cymbals, the rnttat of n drum, theragtime movement of a cakewalk, the wall of despair, the shout of triumph,the roar of n lion or the hrny of an uss.*■ Srrtorlal Art Journal.