ami use interest liw rhi.nv m tiic pleasant colouring of tea and cliff-..-41is/ralian Landscapes.(arcful study of (be • fTc t* of light and •dude and nn appreciation of the form and colour of the Australian bush are apparent hi the collection nf picture* bv Mr. Edgar Finlay, nt the Atlienwuttt Gai-leriea, Melbourne. .Mr. Fiuluy ia young, iilid hn* a kcmm! deal to learn, but he in M riving to icmlcr nature n* he ace* her. There i« no affectation about hia work, and thi* i* lioneful. The largest ranvag jn the collection is called At Yackandandah, j ••nd show* a bush man preparing a meal behind sheltering sheet* of galvanised iron. ( The ha* kgruund in a bit of buah. The nr-tint hn* studied hi* value* carefully, and the rcmill i* atmospheric and aunny. The light i* successful in Sunny Afternoon and Morning. Big Guina and “A Country Road reveal nn earnest desire to portray the atmosphere and apace of the subject. Other oil painting* worthy of commendation me n wcll-paiuted, still-life «if fniit and on n cheeked tablecloth mid a study of gccsc. calk'd Follow the Lender.Mr. Fin lav hang* many water-eoloura. The beat of these orr found in a acriet of still-life studies, many of which aie flower «ui tables, drawn with rather a short focus. In throe. although the handling l* bold mid the colour strong, the values arc not sufficiently studied, and the difficult task of painting the subject seen a* it i* from uliove la* not l«-a*t» conquered altogether.scholar John'* atrd 1! took a bridge. Theolo Steel * Dean * land i i Ironriie Ridley of St.uppmnbeadipiESP1Exhibition of Prints.Sonic of the* world's finest craftsmen arc represented in the international colic lion of the graphic ai»* that ia to be seen at(.lad khaki Kdmur poet, t t'arigai that b world I for bis interna Kuropr Far V Zwcheil21.000 i