Dannon Yogurt WinterFIRST PRIZEthe words of BobIh to Ian.' Bui of course there is more o this. Perhaps it Is the sense growth in the progression of albums from the political Times They Are A-Changm’ the confused uncertainty of other Side nf Bob lylan. to e surrealistic Blonde on onde. to the love-infected plicity of Nashville Skyline, d to his latest work. Planet ares, which provides the mpective of a Dylan coaching middle age. Or ybe it’s just that Dylan has ' ged to capture in his lyrics embodied in his melodies about every one of man's Uons. The vindictiveness of tlrely Fourth Street and ‘ke a Rolling Stone, the Idering anger of “Tears of and 'Phis Wheel's on re the sense of peace and dotation in 1 Shall Be leased and Dear Landlord. love of “Just Like a Woman 'She Belongs to Me, the lings of anomie in Restless arewell and “All Along the atchtower, the melancholy or Ballad In Plain D. and I could on forever. Perhaps this helps plain the appeal of Bob Dylan. Madison Square Garden was lied to capacity on January 31. in and Yoko, James Taylor ICarly Simon, Dick Cavett, at ast a dozen Lafayette students, fetsor Michael Glantz, and •n the thoroughly obnoxious n Kennedy Jr. had come to Mister Bob Dylan. There was air of excitement, an aura of ticipation that could be sensed the crowd; it seemed almost a olation of the rules of the it for vendors to be peddling lr products as they would at y other event. (As Bob would y, It’s easy to see without king too Car/That not much is ally sacred.”) Since we were tting in the press box. Bill emer, Glenn Werthcim (who. Incredible as it may seem, ame to see The Band instead of ’Ian), Glantz, and I were tinuously asked what paper were representing; somehow response —The Lafayette — led to bring glimmers of ognition. But then the lights nt out.MISTER BOB DYLAN Continued from numher was hard to deny. He “Bauaa of Hollispage onethen didBrown, one of his more obscure songs from The TimesDylan relumed with two songs from his now album: Foreverapparently one of his favorites since it has been done frequently on the tour. Dylan ended the sei with his latest hit single, Knocking’ on Heaven's Door, which besides an extra verse, had a persuasiveness and power that simply didn't exist on record.A fifteen minute Intermission followed, and then Dylan was back by himself, armed only with an acoustic guitar and the ever present harmonica. The Times They Vre A-Changin’ was altered radically, as Dylan modified the melody and used a rather unconvincing bass voice during the chorus. He then masterfully presented three great songs - Don’t Think Twice, It's All Right. Gates of Eden, featuring superb guitar riffs, and the beautiful Just Like A Woman. Dylan closed with It's Alright Ma (I’m Only Bleeding) which had the crowd up on Its feet with the great lines Goodness hides behind its gates/But even the president of the United States/Sometimes must have to stand naked.’’The Band then came on again with four tremendous performances: Rag, Mama,Rag,” Dylan’s This Wheel’s On Fire, The Shape I’m In.” and. of course, “The Weight. Conspicuously absent were any numbers from Cahoots or ’•Moondog Matinee. ThenYou which, despite iu strained rhyming of Ruth. Duluth, truth, and youth, came off as a great rock number. And then the climax, as Dylan with the words Aaah, once upon a time ... started into the classic Like a Rolling Stone. The song ended with everyone standing and clapping as Dylan left the stage. As the lights were doused once more, the silent tribute began as thousands lit matches, creating a virtual wall of stars which ended only when Dylan came back for an encore, a reprise or Most Likely You Go Your Way (And I'll Go Mine)”. Then the forest of fire returned, and so did Dylan for an unprecedented second encore, an electirc, incredibly moving version of ’’Blowing’ in the Wind.” inexorably captivating. And then it was over. Back past Dylan T-shirts, posters, and other memorabilia. Back to Port Authority, on to Route 22 and ultimately back back to God’s little acre, Lafayette College. The letdown was inevitable, but Dylan had the words of consolation: “Leave yourstepping stones behind, something calls you for/Forget the dead you’ve left, they will not follow you/The vagabond who's rapping on your door/is standing in the clothes that you once wore/Strike another match, go start ancw/And It’s all over now. Babv Blue.If you don’t wii can win one of tDylan started the concert with Most Likely You Go Your Way (And I’ll Go Mine) from his Blonde on Blonde album, and stopping only briefly to say an honor to be here, Dylan and The Band plowed into an electric version of Lay, Lady, Lay from Nashville Skyline. The Dylan baritone was a little rough from the rigors of the tour, but he was totally convincing, the experience numbing as he authoritatively spit out the words whatever colors you have in your mind -the quick shift of the head from side to side, the look of defiance ‘Til show them to you and you’ll see them shine/’ Then, without hesitation, Dylan proceeded to Just Like Tom Thumb Blues, which elicited an ovation with the lines “I’m going back to New York City/I do believe that I've seen enough.‘ Rainy Day Woman No. 12 + 3o also brought the crowd to its feet as the marijuana-filled air reverberated with the cry that ‘Everybody must get stoned! After a mocking, laughing, and generally disappointing version °t It Ain’t Me Babe, the concert absolutely exploded into high gear as Dylan switched to piano for an incredible, sneering version of Ballad of a Thin Man f‘Aaah but something is happening here/But you don’tJones?What U ,S/D° y°U’ Mf‘Dyian men receded Into the background as The Band played of their standard numbers, ine Hand's playing was tight and “iperb in every way as they Z*1 through Stagefright /’ The Night They Drove Old Dixie Down, King Harvest. When You Awake, and a jantajtically moving version of Dylan’s own I Shall Be Released. Then Dylan was back tor an electric version of All Along the Watchtower from John Wesley Harding that completely eclipsed the famous •mi Hendrix Interpretation. His conviction in performing thisExpense-paid week lor two in Austrlofficiai rules via Icelandic Airlines Enjoy thOFFICIAL RUUa^ fabu|Qus (esort Q| Kjl2buhlt;you*Or ontry bl»r» BI09M•©a-n S*OOD4I«**'» PO 00-661 B*lt;xwlyn N v l