Vaudeville Houses.The Kilties and the vitagraph were the two big features of the Orpheum’s last night programme. The former furnished good music, not half Scotch enough. J. Coates Lockhart's tenor solo, “Loch Lomond,” was j especially appreciated, because it was the j real thing without variations. A travesty on Jules Verne's Trip to the Moon is the vitagraph’s contribution. It is perhaps the cleverest use that moving pictures were ever put to on the stage. The man in the moon gets the terrestrial projectile in the eye and makes faces over it. Real live, pretty girls look out of the sta^s and ride the comets as a witch rides her broomstick. Wicked Silenites, half demons and half brownies, assail the explorers. The effect is a fairy story worked out in motion, and the attraction ought to be particularly good for matinees. The other features are Lew Sully in monologue, the Dumitrescu, Ver-mette and Dionne troitp in a new bar act, Tom Browne, the whistler; Frank Gardiner aud Lottie Vincent in a new sketch, the Carter and DoHeven trio, Lawrence and Harrington. and Cooper and Bailey.