NewAsoloOpening this Friday night, literary form, because manyat the 18th century Asolo. actors and acting companies Theater, a part of the FloridaState-owned Ringling Museum complex, will be the Asolo’s own adaptation of Christopher Marlowe’s famous play “The Tragedy of Faustus”, a play that promises to be spectacular and lavish that movesfrom s emotionnes of dramatic and impact to ones of both high and low comedy.The play’s adapters, Asolo Artistic Directors E b e r 1 e Thomas and Robert Strane did not start “their” play about Faustus from the Marlowe script. They originally were concerned with the Faustus legend per se — the theme of the man who makes a compact with the devil. Through a seven-month period of extensiveresearch including Goethe’s Faust, the original Germanic “Das Faustbach,” and other literary versions of the sametheme — they decided that Marlowe’s structure of events moved the most interesting d dramatically suitable for their purposes.- --------- -So the Asolo’s “Doctor Faustus” became an adaptation of Marlowe’s ‘‘The Tragedy of Doctor Faustus” in structure with the preservation of some 30 per cent of Marlowe’s language but with much more meat on theoriginal’s bones.Scholars generally agree that Marlowe’s play does not really exist in any completeof his day interspersed their own comic scenes between the beginning and end of the drama, which publishers incorporated into written texts. As Eberle Thomas states, “In examining Ma rlowe’sFaustus, it was like entering the ruins of a great temple We tried to reconstruct it in terms worthy of Marlowe’s original and obvious genius, keeping the play’s potent beginning and ending almost intact, and attempting to fittingly restructure what is mostly confusion in the middle of Marlowe’s drama. Of the two versions of Marlowe’s play — which differ radically— we chose the 1604 Quarto edition as being the mostdramatically potent, andended up almost following its action scene for scene, although we occasionally changed toca 1 esr“”~v:- ■■'“We were p r i m a r i 1 y interested in the career of the man, Faustus, and what he wanted for himself. We did not desire to take time out from this central thrust of the play for the little folklore humor interjected by actingcompanies of Marlowe’s day— although humor certainly has a large part in the Asoloproduction.” ■ *WAnd so the adaptation began, was refined, cast, staged, and costumed — andthe Asolo’s own ‘‘DoctorToFaustus” went into production vThrough the generosity of co-producer, Mrs. Kate C. Ballard of Bellair, Fla., who has underwritten the staging of “Faustus” for the Asolo, the production will spotlight the company at its most spectacular! Asolo designer Holmes Easley has created a set that is a big circle, reminiscent in imagery of a bull ring or operating theater and divided by a giant cross that allows Faustus, withMephistopheles’ aid to go from his Wittenberg study to the Vatican in Rome, to the palace of the Emperor Charles V, to a graveyard for conjuring, and finally to hell itself — all by jneans of a giant magical swing. Costumes, more than 100 in number, have to be seen rather than described.Directed by Strane, scenes change from those with high emotional impact to those of both high and low comedy.The Seven Deadly Sins appear as if in a burlesque show—theMIDNIGHT PASSRESTAURANTCASUAL DINING FOR THE WHOLE FAMILYCarry-Outs 824-9417WHEN YOU'RE ON THE KEY DROP IN AND SEE US!OPEN n A.M.-TO P.M.CLOSED ON MONDAY6635 Midnight Pass Rd.2 Blocks South of Stlckney - Point Road on Siesta Key ,Openrustics appear as if doing a vaudeville turn — the strolling players who depict Faustus’ life, while Faustus himself watches, is in the manner of. c o m m e d i a dell’arte. Jim Hoskins, remembered as choreographer for “Oh What A Lovely War” last season, has choreographed all the sequences in the Asolo’s Faustus that require stylized movement or dance, including the vaudeville scenes as well as the highly ritualized clerical and court ones.The entire Asolo Companyis cast in the production, including Patrick Egan as Doctor Faustus and Eberle Thomas as Mephistopheles.The play is not recommended for the entire family but rather for teen-agers and adults only.Sarasota’s Newest^BURESH’SJjoJbAtti2(joumRESTAURANTSunday Buffet Serveda* »»ooi to 8 p-til* *\. \Featuring Roast Prime Rib of BeefOPEN 11 A.M. to MIDNIGHTFeaturingWhole Maine Lobster ,v Australian Lobster Tails Steaks • Chops * Specialties^Weddings - Meetings - BanquetsU.S. 301 at DeSoto Rd.Phone 355-5193 CLOSED MONDAYS •