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Ten Years After’s Lee Displays Varied TalentsLast Silurtiy * Interna if progressionsProduction of len Yean After in Preceding Ten Yean After wasconcert was peculiar In addition Procol Hamm to the tiuih (he audience Their soft-scU approach toentertained by a down and ha rock a retresfung hut looses itstrained dog, a masquerading ntimac when it has to be jackedbovine and a tnpped-out uirfer up loud enough to accomodate ahaving athletic hallucinations Ten Yean After rode the outstanding guitar work of Al«n Lee lo one of the few •ell-deserved standing ovations The group is. admittedl merely a showcase for lee s considerable talent The man doe an t rely on the deafcnosg feedback of Hendns or the blanketingdistortion of ITapton Ho nffs are dean and crop with every note in placelee's 1 Can’t Keep From Crying Sometimes is a re alls fine spotlight on his versatility which sometimes gels lost in all ho parallel fifths boogiecrowd ot 10.000Children started the show (on time) and really seemed happy to be there Since they have been relying more heavily on then guitarist, they have lost much ofCHICAGO tAPI More than 2.000young people battled police with rocks, bottles and baseball bats in anger si the interruption of a free rock music concerttheu original noveltyCastle the frmak vocabst and Louis Clfean the aev board man are the backbone of the group and the basn for its originality They should be given pnroe attentionAs iKo may ow otHouston’s last concerts it »as nice that it turned out as *eU as it did There »a* the same old problem of an overabundance cf the genus lennyn bop pensas they wentDozens of Urge display windows were shattered as the youths rampaged down StateFree Concert Melee Leaves Three Shotdown street lights in Grant Park
Newspaper Details
Houston Daily Cougar
Houston, Texas, US
Thu, Jul 30, 1970
Page 5
Full Page
Clipped by
Anonymous
CA, USA 01 Aug 2017
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