Winnipeg Free Press (Newspaper) - April 30, 2015, Winnipeg, Manitoba C M Y K PAGE C3
D O you hear the people sing?
That stirring anthem is almost
audible all the way from Flin
Flon, where the mega- musical Les
Misérables opens May 1, at the R. H.
Channing Auditorium. It’s been 15
years since Crystal Kolt dreamed a
dream of the people of the northern
mining outpost creating their own
production of Les Misérables , one the
largest and most successful franchises
in the history of musical theatre.
Every year Kolt, the artistic director
of the Flin Flon Community Choir,
would make the call to New York City
and launch into her pitch to pry the
rights to Les Misérables out of licenceholder
Music Theatre International.
And every year she was refused — like
every other professional and amateur
troupe — owing to the unprecedented
success of the stage spectacle on
Broadway, in London and on tour.
Her persistence left her on a firstname
basis with the agent.
“ My feeling was always, ‘ Why not?’”
she said recently over the telephone.
“ I told them it was ridiculous. I didn’t
think I would live long enough to see
Les Misérables in Flin Flon.”
Over the years, the ambitious
80- voice choir made do with presenting
other big- name musicals such
as Titanic, Chicago and Fiddler on the
Roof, but the 30- year- old Alain Boublil/
Claude- Michel Schoneberg musical,
based on Victor Hugo’s epic tale of
redemption, was Kolt’s must- have.
“ Les Misérables , for me, is the holy
grail of musicals,” she says.
This year, she made the call again
and was directed to apply online; a day
later, she was informed by email the
community choir had been granted the
rights.
“ I called New York immediately and
did a little ‘ whoo- whoo’ and thanked
them,” she recalls. “ I still don’t know
why we got them.”
The coup was announced locally
last June at a get- together of about 80
theatre- lovers, who were watching the
Tony Awards on a big- screen TV at
Johnny’s Social Club. On an easel sat
an envelope with the words, “ The next
Flin Flon musical theatre production is
....” A black curtain was pulled away to
reveal a Les Misérables poster.
“ Everyone gasped,” says Kolt. “ I
mean, we have been hoping for it for
such a long time. Then we passed
around the lyrics to The People’s Song
and sang our hearts out.”
Kolt thought Flin Flon might have
the distinction of hosting the most
northern Les Mis ever produced, but
she has since learned of presentations
in Reykjavik and Anchorage.
“ That blows our north- of- the- 54th
parallel out of the dust,” she says.
“ Never thought that I would wish that
I was further north.”
Kolt estimates that about 2,000 of
Flin Flon’s population of 5,000 will
either see Les Misérables , perform
in it or offer their skills behind the
scenes. The three performances this
weekend have been sold out for weeks.
With the price tag at $ 50,000 — the
town’s arts council works on an annual
budget of $ 21,000 — organizers had to
work their fundraising muscles hard.
A tag day in March when it was - 30
C and an evening of Broadway music
helped fill the coffers.
Every year, Kolt and town officials
have attempted to raise the bar on the
quality of the shows. For Les Misérables,
they decided to go all- out for the
first time and bring in a professional
director, Winnipeg’s Ann Hodges.
“ We needed a director who would
realize that, yes, we are technically
an amateur company, but at the same
time know we don’t want to do anything
that people would think is amateur,”
she says. “ We want to present
something professional. It’s because I
believe everyone here deserves that.
People know what quality is like.”
. . .
Theatre by the River will launch its
10th anniversary season May 1 with its
annual Wine & Words fundraiser at the
Winnipeg Art Gallery.
This is the fifth edition of the company’s
pairing of tasty wines with the
nouveau writings of Canadian authors.
TBTR is partnering this year with the
WAG, which just opened Olympus: The
Greco- Roman Collection of Berlin . The
exhibit is also the subject matter for
the writers who sent in new stories or
works in progress.
“ Some pieces were inspired by
Greek gods or art in general or are set
in museums and art galleries,” says
TBTR artistic director Mel Marginet.
“ The writers were allowed to take that
subject and run with it.”
There are 15 submissions, including
ones from Toronto playwriting darling
Hannah Moscovitch and Governor
General’s Award- winning dramatist
Jordan Tannahill, storyteller Leigh-
Anne Kehler and University of Manitoba
professor George Toles.
The submissions will be read by
members of the theatre/ arts community,
such as Rainbow Stage artistic
director Ray Hogg, actress Pat Hunter,
playwright Ian Ross, Nan Fewchuk
and Solomund MacPherson.
Tickets are $ 30 ($ 20 of which goes
to TBTR) for an event that provides a
crucial financial lifeline to the professional
independent theatre.
“ For us, it’s extremely important,”
Marginet says. “ We don’t receive any
operational funding. So we have no
staff. We have to fundraise 100 per
cent for anything we need.”
TBTR debuted in 2006 with The
Comedy of Errors on the riverbank in
Assiniboine Park and has produced 18
other plays, the last pair being Cock
and Bull in repertory last September.
The first show of its 10th season is
Simon Stephen’s one- man show, Sea
Wall, to be presented during the Winnipeg
Fringe Theatre Festival in July.
“ It’s great reaching this milestone,
because you get to look where you
were 10 years ago,” Marginet says.
“ We were just coming out of our training
in our early 20s and trying to find
our place. I couldn’t have imagined
then where we are today.”
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theatre BY KEVIN PROKOSH
Northern
exposure
Flin Flon musical fans no longer Les Misérables
after troupe finally gets rights to stage Broadway behemoth
DANIEL DILLON PHOTO
After 15 years of applying, the Flin Flon Community Choir was finally successful in getting the rights to perform Les Misérables.
C_ 03_ Apr- 30- 15_ FP_ 01. indd C3 4/ 29/ 15 3: 20: 41 PM